Author Archives: Jim Clark

WONDERMENT SLIPPING AWAY: TERRENCE MALICK”S TO THE WONDER

It’s quite a challenge giving a quick sketch of a film narrative that is even more complex and subtle than a Dostoyevsky novel. But I think it’s important to alert as many thoughtful readers and viewers as possible to Terrence … Continue reading

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HIGH DRAMA— DANGEROUSLY THRILLING MOMENTS IN VINTAGE GRAPHICS

                                  Harper’s Bazaar (March, 1940) A.M. CassandreFashion that was really edgy! Here we behold the business of exciting beauty coming up against the shadows of death-dealing military forces. Staying cool in face of the horror of the imminent Nazi Occupation, … Continue reading

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THE PROS ARE GETTING YOUNGER AND YOUNGER: TORONTO’S OCADU GRAD SHOW

One of the graphic design participants at last weekend’s Ontario College of Art and Design University grad show (quite a mouthful, but also quite a handful) was a bright and charming young woman with whom we spent a while expressing … Continue reading

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POSTERS AND PUBLICITY 1929—MORE AND MORE MARVELS

Extending beyond the delicious color priorities of the 1928 edition, the process here, in the production of one year later, applies itself to compositional matters. Here the poster for the Vienna Fair gives us a convening of stylized, streamlined ship, … Continue reading

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ZEROING IN UPON LIGHT AND SOUND

This month, the Design Exchange in Toronto has dipped into its permanent collection to present a show stemming from an extraordinary focus, among Canadian designers, upon light and sound, in order to evoke compelling aspects of contemporary life. Our first … Continue reading

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POSTERS & PUBLICITY 1928: A FEAST OF COLOR, AND INVENTION!

One of the great gift parcels, coming to us from the efforts of graphic design annuals, consists of chromatically rich lithographic renditions (on deluxe paper) of poster art, in the British series, Posters and Publicity. The instance here, by the … Continue reading

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ENLIVENING THE EVERYDAY—GREAT PHOTOS IN VINTAGE MAGAZINES (PART ONE)

There is a special mojo to be found in enjoying the upshot of effectively photographing workaday entities, a shimmer that is all the more powerful in remaining bound to materiality. Today we want to look at this phenomenon glowing from … Continue reading

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LIFE AT SEA: NAUTICAL GRAPHICS THAT STAY ON COURSE!

                              Crociere Estate (1935) Gino Boccasile;11″ x 8 1/4″;B+,P There is something hard to describe but quite overwhelming about vintage graphics that capture the play of light on the high seas. The figure shown here could have caught some rays … Continue reading

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HOME ON THE FREEWAY: ABBAS KIAROSTAMI’S LIKE SOMEONE IN LOVE

Shown here is one aspect of Tokyo today, the one, as it happens, which exiled Iranian filmmaker, Abbas Kiarostami, takes a remarkably close look at in his recent film, Like Someone in Love (2012). The Bar Rizzo is headquarters for … Continue reading

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MOBILIZING THE MASSES: GRAPHIC STRATEGIES IN TIMES OF WAR

                 Wings for Victory (1942)Manning de V. Lee; 33” x 16”;A-, P; calendar “Propaganda” is such an ugly word, don’t you think? Today we want to take a look at various ways graphic designers have elicited enthusiasm for unavoidable military … Continue reading

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