Author Archives: Jim Clark

HOME ON THE FREEWAY: ABBAS KIAROSTAMI’S LIKE SOMEONE IN LOVE

Shown here is one aspect of Tokyo today, the one, as it happens, which exiled Iranian filmmaker, Abbas Kiarostami, takes a remarkably close look at in his recent film, Like Someone in Love (2012). The Bar Rizzo is headquarters for … Continue reading

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MOBILIZING THE MASSES: GRAPHIC STRATEGIES IN TIMES OF WAR

                 Wings for Victory (1942)Manning de V. Lee; 33” x 16”;A-, P; calendar “Propaganda” is such an ugly word, don’t you think? Today we want to take a look at various ways graphic designers have elicited enthusiasm for unavoidable military … Continue reading

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A SEXY SURPRISE!

Here is an art deco toaster. A what?! Yes, even rather workaday home appliances became a mission for the deco imperative. The proportions are exquisite, the metalwork is a joy, the decorative touches are as chic as a prize lighter … Continue reading

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BIG AND BOLD: LARGE FORMAT CLASSIC POSTER ART

                   Deauville 1920s Jean-Gabriel Domergue;47 3/4″ x 64 3/4″;A, LOur commitment to small-format graphic design brilliance is unwavering; but we also know that voluminous graphic presence facilitates rewards unattainable by modest scale. Need a jump-start after a tangled day? How … Continue reading

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LIVING WALLS

Architectural design is something city dwellers tend to be as addicted to as they are to the jolts from their coffee shops. A bemusing and most absorbing instance of this devotion is the proliferation of upgrading tired facades with scintillating … Continue reading

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iPOD POSTERS:THE BEAT GOES ON

Vintage graphics, so heavily indebted as they are to their Parisian roots, have had, through the past century, a pronounced tilt toward the chic and the discreet. But the radical energies which brought about Parisian distinctiveness had their wild side—as … Continue reading

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MURAL ART: A CALL TO PARADISE

Since the time of cave-dwellers, there has been mural art. Installing imagery on a much-frequented structure has, through the ages, elicited much-needed focus upon what makes life worth living. From caves to cathedrals, the setting would act as a complement … Continue reading

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BRINGING TO US THE SIZZLE OF LINE, COLOR AND TEXTURE—GEBRAUCHSGRAPHIK

The still life on this cover is a tipoff that the editors want us to consider here the reverb elicited by, first and foremost, awe-inspiring color lithography.

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APPROACHING THE SUBLIMITY OF SEATING

The other night, the owner of one of the world’s great furniture production centres, Giulio Cappellini, gave a talk which he provocatively opened bty asserting that it is impossible to surpass the beauty of 1950s Italian chairs.

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NO BUSINESS FOR OLD MEN–THE EFFERVESCENCE OF GEBRAUCHSGRAPHIK

There are many ways of fathoming and enjoying graphic design from that arresting era when lithography was the primary innovative medium. One quite marvellous way we have not until now considered is the phenomenon of deluxe periodicals whereby exponents of … Continue reading

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