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Author Archives: Jim Clark
Shown here is one aspect of Tokyo today, the one, as it happens, which exiled Iranian filmmaker, Abbas Kiarostami, takes a remarkably close look at in his recent film, Like Someone in Love (2012). The Bar Rizzo is headquarters for … Continue reading
Wings for Victory (1942)Manning de V. Lee; 33” x 16”;A-, P; calendar “Propaganda” is such an ugly word, don’t you think? Today we want to take a look at various ways graphic designers have elicited enthusiasm for unavoidable military … Continue reading
Here is an art deco toaster. A what?! Yes, even rather workaday home appliances became a mission for the deco imperative. The proportions are exquisite, the metalwork is a joy, the decorative touches are as chic as a prize lighter … Continue reading
Deauville 1920s Jean-Gabriel Domergue;47 3/4″ x 64 3/4″;A, LOur commitment to small-format graphic design brilliance is unwavering; but we also know that voluminous graphic presence facilitates rewards unattainable by modest scale. Need a jump-start after a tangled day? How … Continue reading
Architectural design is something city dwellers tend to be as addicted to as they are to the jolts from their coffee shops. A bemusing and most absorbing instance of this devotion is the proliferation of upgrading tired facades with scintillating … Continue reading
Vintage graphics, so heavily indebted as they are to their Parisian roots, have had, through the past century, a pronounced tilt toward the chic and the discreet. But the radical energies which brought about Parisian distinctiveness had their wild side—as … Continue reading
Since the time of cave-dwellers, there has been mural art. Installing imagery on a much-frequented structure has, through the ages, elicited much-needed focus upon what makes life worth living. From caves to cathedrals, the setting would act as a complement … Continue reading
The still life on this cover is a tipoff that the editors want us to consider here the reverb elicited by, first and foremost, awe-inspiring color lithography.
The other night, the owner of one of the world’s great furniture production centres, Giulio Cappellini, gave a talk which he provocatively opened bty asserting that it is impossible to surpass the beauty of 1950s Italian chairs.
There are many ways of fathoming and enjoying graphic design from that arresting era when lithography was the primary innovative medium. One quite marvellous way we have not until now considered is the phenomenon of deluxe periodicals whereby exponents of … Continue reading