Billy Wilder made movies (like Some Like It Hot) and collected modern classical paintings. Pharrell Williams makes songs like “Happy” and collects figurines that could not be called happy. In fact they could be called Surrealist, with all the toil that term invokes. But it’s an odd, frustratingly gloomy Surrealism; and it presses us to figure out why it should be so.
Our first instance might well be called “A Boy and his Dog,” with ironic wallop typical of this art/merchandise. (The show, curated by Williams, from which the material here is drawn, is currently off and running at Toronto’s Design Exchange). Continue reading