Tag Archives: A.M. Cassandre

MODERN LIFE, ACCORDING TO VINTAGE GRAPHICS

We’re arrested, in strangely stimulating ways, by graphic productions thrilled to be advanced while now appearing quaint. Our 1939 depiction of a propeller-driven giant over Machine-Age New York may be now long-surpassed in its hardware; but let’s see if its … Continue reading

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Posted in Art Deco Posters&Graphics, Illustration Art, Illustrators, Poster&Graphic Art, Poster&Graphic Artists, Surrealist Posters&Graphics | Tagged , , , | Leave a comment

RENÉ VINCENT—A DECO ARTIST WITH A DIFFERENCE!

One of the most prolific and accomplished French graphic designers of the art deco era (1910-1940) was René Vincent (1879-1936). What I like most about his work is its rootedness in bodies and objects of palpable heft, in contrast to … Continue reading

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HIGH DRAMA— DANGEROUSLY THRILLING MOMENTS IN VINTAGE GRAPHICS

                                  Harper’s Bazaar (March, 1940) A.M. CassandreFashion that was really edgy! Here we behold the business of exciting beauty coming up against the shadows of death-dealing military forces. Staying cool in face of the horror of the imminent Nazi Occupation, … Continue reading

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Posted in Performance Art, Poster&Graphic Art, Poster&Graphic Artists, Surrealist Posters&Graphics | Tagged , , | Leave a comment

LIFE AT SEA: NAUTICAL GRAPHICS THAT STAY ON COURSE!

                              Crociere Estate (1935) Gino Boccasile;11″ x 8 1/4″;B+,P There is something hard to describe but quite overwhelming about vintage graphics that capture the play of light on the high seas. The figure shown here could have caught some rays … Continue reading

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BRINGING TO US THE SIZZLE OF LINE, COLOR AND TEXTURE—GEBRAUCHSGRAPHIK

The still life on this cover is a tipoff that the editors want us to consider here the reverb elicited by, first and foremost, awe-inspiring color lithography.

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A.M. CASSANDRE

One of the most resolved poster artists to grace the era (1890–1940) of the métier’s heyday was A.M. Cassandre. During the 1920’s and 1930’s he designed enticements–particularly for transportation firms–which would impact by way of streamlined composition and surrealist spatiality … Continue reading

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